I felt so bizarre today with a feeling that I thought was saudade, which I have talked about before in a linguistic sense, but I don’t think it’s that. Nostalgia is a yearning for the past, but that’s not what I do at all. It’s like I feel a nostalgia for the future, for things that haven’t happened yet. Events and situations that I cannot draw a clear line from to my present self. A hazy, dreamlike state, simultaneously mordant in its utter realism, where every word and step has a profound effect, warping the very air. Is this just a mad amplification of everyone’s desire to matter? I don’t know.
There are a couple songs that I like to listen to when I get this feeling that may be able to shed some light on it. One of them is Motion Picture Soundtrack by Radiohead. It features a momentous organ and a mournful tone – the organ is the most important feature of the song for me. As the closing track of its album, Kid A, that song has added punch from its sense of finality, of having come to the end of a journey. So maybe I feel like I am heading somewhere.
Then there are a couple songs by Counting Crows. Round Here opens with the lyrics “step out the front door like a ghost into the fog where no one notices the contrast of white on white”, which makes me think of a house in the woods, isolated but not lonely. And apparently, round there, “something radiates”. I sort of hate the song for not saying exactly what the hell is going on. The other song is Another Horsedreamer’s Blues. Maybe it’s because the opening riff sounds like something you would hear in an elevator in a good dream, and maybe it’s because the song is about a girl with a similar name to my girlfriend and both of them like horses.
Horses in particular evoke this feeling and it’s been years since I’ve ridden one. Sunsets, organs… I guess these are all romantic (in both senses of the word) images. I guess I want the destination I am heading toward to have some sort of fiery intangible resonance beyond simply what it is. If I ever wrote get around to writing a novel or making music or something, at some point I would simply be compelled to attempt to capture this feeling. But apparently, it’s impossible.
C.S. Lewis had a lot to say about it, including that most people don’t have a lot to say about it. It’s called sehnsucht and the following paragraph is not such a bad approximation of how it feels.
“In speaking of this desire for our own faroff country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you—the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both. We cannot tell it because it is a desire for something that has never actually appeared in our experience. We cannot hide it because our experience is constantly suggesting it, and we betray ourselves like lovers at the mention of a name. Our commonest expedient is to call it beauty and behave as if that had settled the matter. Wordsworth’s expedient was to identify it with certain moments in his own past. But all this is a cheat. If Wordsworth had gone back to those moments in the past, he would not have found the thing itself, but only the reminder of it; what he remembered would turn out to be itself a remembering. The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.”
I don’t know. I can’t think about it too much. Maybe I will have more to say later.